Disney’s 2025 live-action adaptation of Snow White, directed by Marc Webb and produced by Walt Disney Pictures, attempts to modernize the classic fairytale but struggles with its execution. Despite a visually polished presentation, the film feels narratively disjointed and lacks the timeless charm of its animated predecessor.
In recent years, Disney has created multiple live-action adaptations of its classic films, and 2025’s first release comes in the form of Snow White. Directed by Marc Webb, this Walt Disney Pictures production attempts to bring an undisputed classic to a modern audience, but does it capture the same charm?
To add value to the adaptation, the original narrative has been heavily altered, though not in a subtle way. Losing many of the core values and themes that made the original so special, the film feels more like a generic adventure sequence than the fairytale so many fell in love with. The idea of a self-sufficient Snow White isn’t a bad one, perhaps even a necessary change, but the way it’s executed feels rather forced.
Rachel Zegler’s Snow White is meant to be a fresh take on the character, giving her more independence and power rather than portraying her as a damsel in distress. However, the writing lacks depth, and instead of being a likable, powerful figure, she comes across as narcissistic and opinionated.
One of the biggest disappointments is the use of CGI dwarfs instead of casting from the vast talent pool of actors with dwarfism. The characters feel lifeless and look out of place in what is otherwise a visually vibrant world.
The Evil Queen, played by Gal Gadot, has a striking and commanding wardrobe, yet her performance feels uninspired and underwhelming. Lacking conviction, she often sounds more like a spoiled teenager than a power-hungry leader.
On a more positive note, the film’s sets and cinematography are stunning. They feel alive and breathe a wealth of atmosphere into the movie, with some settings looking as if they belong in an art gallery.Overall, Snow White’s reimagining feels like it has missed the mark. Changing some plot points to fit a more modern society isn’t inherently a problem, but when it’s executed in a way that feels force-fed, it results in a very lackluster viewing experience.
